Vårt plateselskap 2L skriver:
Oops!… We Did It Again! Two more GRAMMY-nominations with 2L this year 🙂
72. Best Immersive Audio Album
— SOMMERRO: UJAMAA & THE ICEBERG
Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symfoniorkester & Opera)
Norwegian label 2L have garnered no less than 34 American GRAMMY-nominations since 2006, 26 of these in categories Best Engineered Album, Best Surround Sound Album and Producer of the Year. Morten Lindberg consolidates his official World Record of «Most Grammy-nominations without a win» to a total of 26 personal nominations as a Recording Engineer and Music Producer https://www.grammy.com/grammys/artists/morten-lindberg
More about 2L: www.2L.no
The music captured by 2L features Norwegian composers and performers and an international repertoire reflected in the Nordic atmosphere. The surround sound recordings of Lindberg Lyd not only transform the entire listening experience, but also – more radically – these innovative recordings overturn some very basic concepts regarding how music is played and even composed. 2L emphasize surround sound with Pure Audio Blu-ray and HiRes file distribution, and have garnered no less than 34 American GRAMMY nominations since 2006, 26 of these in categories Best Engineered Album, Best Surround Sound Album and Producer of the Year.
2L record in spacious acoustic venues: large concert halls, churches and cathedrals. This is actually where we can make the most intimate recordings. The qualities we seek in large rooms are not necessarily a big reverb, but openness due to the absence of close reflecting walls. Making an ambient and beautiful recording is the way of least resistance. Searching the fine edge between direct contact and openness – that’s the real challenge! A really good recording should be able to bodily move the listener. This core quality of audio production is made by choosing the right venue for the repertoire, and by balancing the image in the placement of microphones and musicians relative to each other in that venue.
There is no method available today to reproduce the exact perception of attending a live performance. That leaves us with the art of illusion when it comes to recording music. As recording engineers and producers we need to do exactly the same as any good musician: interpret the music and the composer’s intentions and adapt to the media where we perform. Surround sound is a completely new conception of the musical experience. Recorded music is no longer a matter of a fixed two-dimensional setting, but rather a three-dimensional enveloping situation. Stereo can be described as a flat canvas, while surround sound is a sculpture that you can literally move around and relate to spatially; surrounded by music you can move about in the aural space and choose angles, vantage points and positions.